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RCA Members Work in Joint Exhibitions at Oriel Plas Glyn-y-Weddw

The Royal Cambrian Academy of Art is proud to highlight the work of our members exhibiting at Oriel Plas Glyn-y-Weddw

RCA Members Work in Joint Exhibitions at Oriel Plas Glyn-y-Weddw

Published: 09.10.2024 ( 6 days ago )

Two joint exhibitions feature RCA members Louise Morgan, Noёlle Griffiths and Kim Atkinson RCA whose work reflects their deep connection to the Welsh landscape and their commitment to the arts.

These exhibitions offer a unique opportunity to experience the distinctive vision of our RCA artists alongside other talented Welsh creatives.



Moss Garden: Noёlle Griffiths RCA and Kim Atkinson RCA

Opening on October 13, 2024

RCA members Noёlle Griffiths RCA and Kim Atkinson RCA present Moss Garden, at Oriel Plas Glyn-y-Weddw. This exhibition explores the Celtic Rainforests of North Wales and the Sub-Antarctic Forests of Southern Chile, capturing their essence through folios, paintings, and prints.

The Moss Garden* exhibition presents a deep artistic dialogue between nature and art, exploring themes of ecology, place, and time, with stunning visual interpretations from both artists.

Infinite Horizons: Louise Morgan RCA and Pete Jones

Opening: Sunday, October 13, 2024

Louise Morgan RCA, a celebrated visual artist from North Wales, presents her expressive and emotionally resonant works in a joint exhibition with fellow artist Pete Jones at Oriel Plas Glyn-y-Weddw. Louise, who transitioned from a career in medicine to full-time art practice, is known for her innovative mark-making techniques and diverse use of media. Her work is deeply inspired by personal experiences and the natural beauty of North Wales. As an elected member of the Royal Cambrian Academy, Louise's contribution to *Infinite Horizons* showcases her continued exploration of new artistic horizons.

Though Pete Jones is not an RCA member, his collaboration with Louise offers a complementary perspective, enriching the exhibition with his unique approach to Welsh landscapes and human experiences.


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